Operatic Roles
Primary
Madama Butterfly (Puccini) - Cio-Cio San
La Bohème (Puccini) - Mimí
La Bohème (Puccini) - Musetta
Eugene Onegin (Tchaikovsky) - Tatiana
La Traviata (Verdi) - Violetta
Simon Boccanegra (Verdi) - Amelia
Pagliacci (Leoncavallo) - Nedda
Le Nozze di Figaro (Mozart) - Countess Almaviva
Don Giovanni (Mozart) - Donna Anna
Die Zauberflöte (Mozart) - Pamina
Manon (Massenet) - Manon
Faust (Gounod) - Marguerite
Les contes d’Hoffmann (Offenbach) - Antonia
Les contes d’Hoffmann (Offenbach) - Giulietta
Die Fledermaus (J. Strauss) - Rosalinde
The Merry Widow (Lehar) - Hanna Glawari
Mimí in La Bohème
Additional Roles
Carmen (Bizet) - Michaela
Boris Godunov (Borodin) - Xenia
The Copper Queen (Borzoni) - Julia Lowell
A Midsummer Night’s Dream (Britten) - Helena
La Wally (Catalani) - Walter
Il Postino (Catan) - Matilde Neruda
Florencia en el Amazones (Catan) - Rosalba
Steal a Pencil for Me (Cohen) - Ina
Don Chisciotte (Conte) - Dorotea
Margaret Garner (Danielpour) - Caroline
Ariane et Barbe-Bleue (Dukas) - Melisande
The Merry Widow (Lehar) - Valencienne
Hlas Lesa (Martinu) - The Bride
Il Re Pastore (Mozart) - Aminta
Gianni Schicchi (Puccini) - Lauretta
Aleko (Rachmaninoff) - Zemfira
Ariadne auf Naxos (Strauss) - Echo
Die Schwarze Spinne (Sutermeister) - Mother
Iolanta (Tchaikovsky) - Iolanta
Il segreto di Susanna (Wolf-Ferrari) - Susanna
Matilde in Il Postino
Concert & Oratorio
Knoxville: Summer of 1915 - Barber
9th Symphony - Beethoven
Missa Solemnis - Beethoven
Requiem - Brahms
Stabat Mater - Dvorak
Requiem - Faure
Te Deum - Kodaly
Requiem - Mozart
Carmina Burana - Orff
The Bells - Rachmaninoff
Petite Messe Solennelle - Rossini
Magnificat - Rutter
Fier Letzte Lieder - R.Strauss
Dona Nobis Pacem - Vaughan Williams
Requiem - Verdi
“Soprano Inna Dukach commanded the auditorium with a voice that was at once powerful and so perfectly controlled that she transitioned with ease from a strong and resonant forte to a barely audible pianissimo without compromising the pure clarity of her tone. It was this tone that held the audience in rapt attention and washed over me in waves, enveloping me in the music.”
“It was, however, Inna Dukach’s portrayal of Musetta that stole the show. She earned mid-aria applause with a spell binding pianissimo in act 2, and even managed to inject some humanity into the usually shallow man-eater.”